New method of sterilizing operating rooms promises to decrease infection rate

UV emitter, at left, sterilizes operating rooms (click on image to enlarge)

This is greatness. OTL,S! would never go to an operating room that didn’t use it. Of course, surgeons’ hands, hair and sweat are another matter.

“The Bridge of San Luis Rey,” by Thornton Wilder

On Friday noon, July the twentieth, 1714, the finest bridge in all Peru broke and precipitated five travelers into the gulf below. -Thornton Wilder, The Bridge of San Luis Rey

This short novel, Wilder’s second, won the Pulitzer Prize for novels written in 1927, the same year that “Death Comes to the Archbishop” was published.  The book was Wilder 1897-1975 was an American author and playwright, who also won Pulitzers for “Our Town and “The Skin of Our Teeth”.
Thornton was a schoolmaster,Wilder invited his students to his home on weekends for what they referred to as the

…Thornton Wilder Literary Society. Wilder usually concluded these gatherings with the dramatic recitation of a poenm on the order of Robert Service’s “The Shooting of Dan McGrew,” declaiming every word by heart. (He had been required to learn that particular poem as a boy, he said, as “a punishment.”)  p. 301

recuperating from an appendectomy when the book was released.

To offset the brevity of trhe book, Albert and Charles Boni had chosen 235 pages of thick stock set with a generous-sized font and wide margins, accompanied in the first edition by the ten pen-and-ink drawings by Amy Drevenstedt. They addes a map of Peru and Ecuador on brown endpapers. p. 301

..I have never been to Peru…Why I chose to g4aft my thoughts about Luke 13-4 upon a delightful one-act play by Merimee, Le Carosse du Saint-Sacrement [sic], I do not know. The Marquesa is my beloved Mme de Sevigne in a distorting mirror. [the play is based on a supposed incident in the life of Micaela Villegas (1748-1819)--the Perichole--a great Peruvian actress and courtesan. For a time she was the mistress of the Viceroy of Lima, Andres de Ribera, and she bore him three children.] The bridge is invented, the name borrowed from one of Junipero Serra’s missions in California. p. 303

[Yale professor Chauncey] Tinker told Thornton that certain pages of The Bridge of San Luis Rey had made him weep. p. 303-4

…the whole purport of literature, which is the notation of the heart.   p. 306

Characters: Brother Juniper, the Marquesa de Montemayor, Pepita, Estaban, Manuel, Uncle Pio, Jaime.  And the abess Madre Maria del Pilar

For six years Brother Juniper busies himself “knocking at all the doors in Lima, asking thousands of questions, filling scores of notebooks, in his effort at establishing the fact that each of the five lost lives was a perfect whole….The art of biography is more difficult than is generally supposed” p. 307-8

Someday someone will realize that one of the principal ideas behind my work is the fear of catastrophe (espeically illness and pain), and a preoccupation with the claims of a religion to meet the situation.” (Wilder’s Journal.) p. 309

Brother Juniper… is seeking “scientific” proof of his existing belief. p. 309

For all its examination of faith and belief, the novel is fundamentally a story of pepople who simply desire to love and to be loved, and who, in most cases, have failed. p. 310

“…the love will have been enough; all those impulses of love return to the love that made them. Even memory is not necessary for love. There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning.”  p. 312

References

Penelope Niven. Thornton Wilder: A Life. New York: Harper Collins, 2012.

notes: Wilder had finished writing the novel [Heaven's My Destination] in the fall of 1934 under Mabel Dodge Luhan’s “humorous and disciplinary eye” at her ranch compound on a shady plateau on the edge of Taos, New Mexico….The had met through lettes when mabel wrote to preaise his first two novels and to invite hnim to come to Taos. Before her life there, she had been married three times, had befreinded Gertrude Stein and Alice B. Toklas in Paris, had prsided over a hohemian literary nd politcal salon in Greeenwich Village, and had been the mistress of the radical John reed. In Taos in 1923 Mabel married her fourth bhusbnad, the chariismatic Tiwi Indian Tony Luhan, who become her spirtual counselor, and then, pitching a tepee infront of her house, had courted Mabel, despite the fact that he had a wife inthe nearby Pueblo community.

Like many other writers (including D. HJ. Lawrence, Robinson Jeffers, Thomas Wolfe, and Edna Ferber) and visual artists (Paul Strand, John Marin, Georgia O’Keeffe, and others), Wilder gravitated not only to Mabel’s generous hospitality at her comfortable ranch, and the stimulating company she attracted there, but to flamboyant Mabl herslef–her energy, her “bracing” analysis of his work, and the “wonderful and rich resouces” of her intellect and spirit. During the day Wilder retreated into his work on the novel, but broke away gladly int he late afternooon to tke long drives with Mabel at the wheel, expertly neavitgaitng the narrow roads twinigin up and down the hills of Pueblo County.

Woollcott was renowned for his savage tongue. He dismissed a notable wit and pianist: “There is absolutely nothing wrong with Oscar Levant that a miracle can’t fix.” He greeted friends: “Hello, Repulsive.” When a waiter asked him to repeat his order, he demanded “muffins filled with pus.”^[8]

The director of 1938′s Our Town, Jed Harris, was the father of Ruth Gordon’s son, she of   and      .   p. 449 Gordon was a great and long friend; she married writer Garson Kanin.

Based on Macdowell Colony in New Hampshire

When won Pulitzer in 1938 for Our town was first author to win for both ficiton and drama. Was runner-up for 1937-38 New York Drama Critics CircleAward, to  John Steinbeck’s Mice and Men. 465-6

Spent Christmas 1962 in Taos and Santa Fe, saw Witter Bynner and dorothy Bretty. Mabel Dodge Luhan had died that year.
died 1975

Freinds with Freud, Gertrude Stein, Alice B. Toklas, Gene Tunney, Alexander Woollcott

obsessed with finnegan’ s Wake, finally decided it “was about anal eroticism plus coprophagia,  and that’s all it’s abot and it isn’t about anythikg else. It’s buried in every five words of it. even that beautfiul last eight pages is deep in it. milions of htose words are to be read backwards, sometimes slighttly anagramatized, smetimes as a whole word, and sometimes syllable by syllable. “p. 490

The Skin of Our Teeth 1942 from Job 19:20. “My bone cleaveth to my skin and to my flesh, and I am escaped with the skin of my teeth.”l

Slightly more than 2/3 of Wilder’s 1939 income came form teh publication of The Bridge of San Luis Rey as one of the first ten books in the new Pocket Books series.  p. 456.

Wrote The Shadow of a Doubt with Alfred Hitchcock
535

Attacked by Joseph Campbell in Saturday Review of Literature The skin of Our Teeth was ‘an Americanized re-creation , thinkly disguised of James Joyce’s Finnegans Wake. Campbell was aat Sarah Lawrence college and was working on a key to Finnegans wake with Henry Morton Robinson.

Wilder wrote he had receifved from Jyoyce’s novel “the diea of presenting ancient man as an ever-present double to modern man” but that the ‘four fundamental aspects” of Finnegans Wake were not to his purpose, nor were they present in his play. 547-8k

won Pulitzer for drama in 1943

1948 sister Charlotte, prize winning poet has prefrontal lobotomy as had Rosemary Kennedy in 1941, and Tennessee Williams’ sister Rose in 1943.

The Watertown Shootout Reconstructed

Reconstruction of Watertown Shootout. Path of circling officer and location of wounded officer are speculative. Click on image to enlarge.

Photo-based diagrams of the explosions near the Boston Marathon finish line were published shortly after the event. However, similar images of the gun battle which took place in Watertown around 12:45 a.m. on Friday have not been available. This post is an attempt to construct a photo-based diagram of that event.

This reconstruction is based on various accounts, the cell phone photographs taken by Andrew Kitzenberg and here, and Google maps. Efforts to make sense of the shootout were hampered by early accounts stating that the vehicles came up Laurel Street from the east.  Now we know that they came from the west, off Dexter Avenue.  The position of the photographer was the second and third floors of the house marked as “cell phone.” The Honda Civic was in the lead, followed by the black Mercedes SUV, followed by the Watertown police car driven by policeman Joe Reynolds, followed by John MacLellan in the second police car. This reconstruction shows the vehicle locations during the initial shooting; they were all pointed east when they stopped, as indicated by the arrows associated with each car. The second police vehicle was subsequently rolled to the vicinity of the brothers. The white circular route of the policeman and the location of the wounded officer are speculative.

The location of the pressure cooker “bomb” explosion is shown, but the locations of the pipe bomb explosions are not known by us.  Officer MacLellan rolled his vehicle toward the brothers, and it is assumed that they were targeting this empty vehicle with the pressure cooker bomb and possibly also the pipe bombs.

The identity of the man who was firing a pistol at police and later died is known to have been Tamerlan Tsarnaev. The man with him is alleged to be his brother, Dzhokhar Tsarnaev.

The range from the brothers to the police was initially something like 170 feet, up and down the street. Firing a pistol accurately at that range is extremely difficult, if not completely impossible. However, it seems that Tamerlan approached the police on foot in the open over that distance. One policeman claimed to have exchanged fire with him at a distance of 12 feet, with questionable effect. Meanwhile, the houses on either side of the street were shot up pretty well. In fact, one police bullet penetrated into the second floor of the house occupied by the cellphone photographer and passed through an unoccupied office chair. Historically, combat accuracy is notoriously awful. However, Over the Line, Smokey! assumes the officers did the best they could, given the angles involved. If you look at this re-creation from the crouching officers’ perspective on either side of the street, with the figure representing a charging Tamerlan only 10 yards away, it is easy to see how the angles would make it likely that houses would be hit:

View from the approximate position of the police. Tamerlan’s charge creates angled close-range police shots, some of which struck houses.

Surely no one can blame the officers for firing at him as he charged them.
Subsequent events:

After the shootout

Al the police took down the wounded Tamerlan, Dzhokhar drove the SUV, in reverse, over his brother, dragging him some 30 feet. The vehicle passed between the police cars, and leaving the scene (“A”), and continuing west across School onto Spruce, and out of sight.  Dzhokhar, who was bleeding, abandoned the SUV at the location marked “B”. He then traveled on foot some 4 blocks to location “C”, where he hid in a boat. An all-day house-to-house search by the police somehow did not include all the houses on this street. Dzokhar would later be found by the owner of the boat, who saw that the covering had been disrupted.

Unanswered questions include:

Why did the brothers stop on Laurel when they realized they were being followed by a police car? Had they continued in two vehicles, and split up, it seems possible that at least one of them might have escaped. One might guess that they thought they might be able to kill the one police officer on scene at the time, as they had killed the MIT policeman earlier, in an attempt to obtain a second pistol.

Why did Tamerlan “charge” the armed policemen (there were several by that time) in plain view? He may have been suicidal at that point. Perhaps there was a desperate plan for him to draw the fire, while Dzhokhar escaped.

Why did Dzhokhar drive in reverse, rather than forward, east on Laurel? Conceivably he put the vehicle in reverse by mistake. Perhaps he was following the “Demolition Derby” tactic of smashing into cars with the less critical back of the vehicle. Perhaps the other end of Laurel was blocked by police at that time.

Where were the two officers involved in the “friendly fire” injury which almost killed one policeman? We speculate that the officer who circled around the house may have been involved, as he fired multiple rounds at Tamerlan, from the side and rear, which could have put the other officers (on the other side of the street and in front of Tamerlan) in the line of fire:

>Looking west toward police cars: speculative; possible angle of “friendly fire” from police officer who had circled behind the charging Tamerlan and was exchanging gunfire with him.

How, in 12 hours, could authorities have failed to search the location where Dzhokar was found, and then sounded the “all clear”? the boat was only four blocks and 1000 feet from where he had emerged, bleeding, from the SUV. Blood trail? tracking dog? common sense? Hundreds of police officers….What happened here? Seriously, this was not good.

The Company You Keep: a review, or a deconstruction.

The film “The Company You Keep” was produced and directed by Robert Redford. One assumes he was inspired to do this project by the controversy surrounding William Ayers in the 2008 presidential campaign of Barack Obama. The film has received favorable reviews, which may fade in importance, given the recent events in Boston. (Ironically, Ayers 2001 memoir, “Fugitive Days”, was released the day before the September 11th attacks).  Over the Line, Smokey! will not attempt a full review fo the film. Suffice to say this is an enjoyable page-turner-sort of film that attempts give a glimpse at the later lives and mentality of those who participated in the violent antiwar movement of the 60′s and 70′s in the US, under various names: Weather, Weatherman, Weatherwomen, and later the Weather Underground Organization.  It is practically impossible for those who did not live through it, to understand the degree of division in the US during that period.  The film fails in this respect; or rather, it doesn’t really try. Instead, it focuses on what amounts to the 2008 Bill Ayers talking points, with Redford trying to prove he didn’t kill anyone, that he wasn’t there that day.  The title is part of the homily “You are known by the company you keep.” The implication being that Redford’s character/or perhaps Bill Ayers, was being judged by the company he kept. Fun, perhaps, but not heavy. Rather than attempting a “review”, OTL,S! has tried to deconstruct the characters in the film.

In a national convention of the Students for a Democratic Society (“SDS”) in Chicago in the summer of 1969, delegates were given a manifesto written in part by Bernardine Dohrn, containing the line “You don’t need a Weatherman to know which way the wind blows”, from Bob Dylan’s “Subterranean Homesick Blues”).

OPENING LINES OF NEW LEFT NOTES

Dorhn led a breakaway faction called the Revolutionary Youth Movement, which in turn broke into factions, the most radical of which was Weatherman, which was founded at the University of Michigan in Ann Arbor. Their first demonstration was a riot in Chicago in October of 1969 to protest the trial of the Chicago Seven. By 1970 they had begun bombing government buildings including the Pentagon and the U.S. Capitol. They generally avoided injuries to persons by calling in warnings before bombs were detonated. The WUO comprised less than forty individuals, who went underground in 1970. A list of their actions/attacks can be found here. The stated goal of the WUO was the overthrow of the government of the United States, but their primary concern had always been the Vietnam War.  The Weather, who were middle class, thought they would be able to mobilize students and blue collar workers, not realizing the conservative nature of both groups, not recognizing the folly of “taking war” to the police, and not understanding the folly of overtly taking the side of our enemy in war. It is fair to say they failed in most respects, and created a stereotype that still haunts left wing politics in the US.  The war ended in 1973, and many of the legal cases against the Weathermen were dismissed on constitutional grounds. At that point, the Weather movement began to wane. Most of the Weathermen stayed underground for several years. Some joined other radical organizations including the May 19th Communist Organization and the Resistance Conspiracy.

Recent image of Bill Ayers and Bernardine Dohrn

The film is an adaptation by Len Dobbs of the 2003 novel by the same name, written by Neil Gordon. One could, in turn, assume that Dobbs’ book was inspired by the publication of Bill Ayers autobiography, “Fugitive Days”, in 2001. OTL,S! has tried to deconstruct the principal characters as they related to the real history of the Weather movement.

1970: Bill Ayres, Kathy Boudin, Bernardine Dohrn

Diana Oughton

Robert Redford plays Jim Grant/Graves/Nick Sloan, a 1960′s radical who has assumed a new identity but is “outed” by a newspaper reporter in Albany, NY (which, not coincidentally, is the home of 3 real-life ex-Weather Underground members: Naomi Jaffe, Jeff Jones, and Eleanor Raskin). He then embarks on a perilous search for his former lover and co-radical, Mimi Lurie, who might be able to clear his name.

The Sloan character represents (mostly) Bill Ayers, one of the founders of Weatherman, in Michigan and Chicago in the late 1960′s. Sloan is a widower. This may be a reference to the historical death of Ayer’s 1960s’ lover, Weatherman Diana Oughton (pictured above), in an inadvertent explosion in Greenwich Village. In the film, Sloan has an 11-year-old daughter named Isabel, delightfully played by Jackie Evancho. In real life, Ayers had two sons with Weatherman Bernardine Dohrn (also pictured above).

Richard Jenkins plays the role of Jed Lewis, a University of Chicago professor. After resurfacing in 1980, Ayers took a masters degree in education from Columbia, and later became a University of Chicago distinguished professor of education. Charges against him had been dismissed because of prosecutorial/government misconduct.

Chris Cooper plays Daniel Sloan, Nick’s brother, who lives in New York City. Ayers lived in NYC in the 70′s with Dohrn; and Bill Ayers does have a brother, John. Obviously, there were many radicals in NYC in that period, including Mark Rudd.

Bill Ayers and Bernadine Dohrn in the 80′s

Julie Christie plays Mimi Lurie, a character who represents an amalgam of at least three persons: Diana Oughton, Bernardine Dohrn and Kathy Boudin (also pictured above). In the film, Mimi Luri had participated in a Michigan bank robbery in which a guard was killed by another member of the group (now deceased). The Weatherman bombed several branches of the Bank of America, but never robbed a bank while Ayers, Oughton or Dorhn were members; nor did they kill anyone during that period (other than Oughten herself and two others, by accident; vide infra). However, three former Weather Underground members, including Boudin, did, as members of the May 19th Communist Organization, aid the Black Liberation Army, in carrying out an attack on a Brinks truck in New York in 1981, when two policemen and a Brinks guard were killed.

Diana Oughton

Diana Oughton’s life was loosely portrayed in the 1975 film “Katherine,” with Sissy Spacek in the title role. The daughter of a midwestern Republican family, she had been radicalized by experiences in Guatemala. She and Bill Ayers had met at the University of Michigan in 1966. She later became more radical, and the two drifted apart. In 1970 she was killed with two other Weathermen, in the accidental explosion of a bomb in a townhouse in Greenwich Village. This was the event which caused Ayers, Dohrn, and the others to go “underground,” thus becoming the Weather Underground Organization (“WUO”).

Two Weatherwomen who survived the Greenwich explosion, Cathlyn Platt Wilkerson and Kathy Boudin (the second inspiration for Mimi Lurie), also went underground. Wilkerson surrendered in 1980. Boudin served 22 years in prison for her role in the Brinks robbery. The father of the child, David Gilbert, was also involved in the Brinks holdup and received, in essence, a life sentence. Ayers and Bernardine Dohrn (by that time out of hiding and also out of legal jeopardy) became the guardian of Boudin’s small son Chesa. This event seems have inspired the film character Rebecca Osborne, the “screen” daughter of Nick Sloan and Mimi Lurie, whom they placed for adoption while in hiding.

The third “component” of the Mimi Lurie character, Bernardine Dohrn, could be said to have been the mother of the Weather Movement, and its most important leader.

Dohrn was from Milwaukee; in the film, Nick Sloan/Redford goes there to get help in finding Mimi Lurie. Dohrn and Ayres had two children together while underground. In the film, Mimi Lurie and Nick Sloan have one daughter. After Dohrn and Ayers resurfaced in late 1980, Dohrn served 7 months in jail for contempt of court, in refusing to testify against Weatherwoman Susan Rosenberg, a participant in the Brinks robbery. This loyalty of the Weather members is one of the principal themes of the film, along with their refusal to denounce the actions of the group. Dorhn and Ayres married in 1982.

In the film, Mimi Lurie is presented as coming from a wealthy Saginaw, Michigan, lumber-industry family. Their company, Linder-Lurie, owns a large swath of property on Lake Huron, on Drummond Island, where Sloan and Lurie once hid. None of the three women comprising the Mimi Lurie character were from extremely wealthy families: Oughton’s father was a bank vice president and restaurant owner, Boudin’s father was a well-to-do Manhattan attorney; and Dohrn’s family was also middle class. While any of them could have owned a lake cottage, the only truly wealthy family was Ayres’; his father, Thomas G. Ayers, was the chief executive of Commonwealth Edison, the Chicago power company.

The name “Lurie” may be derived from that of the late Robert H. Lurie, a 1966 University of Michigan graduate who was partners with fellow Chicagoan Samuel Zell in a hugely lucrative real estate business. OTL,S! can find no link, at the moment, to any involvement by Zell or Lurie in the Weather Movement, and knows of no swaths of property owned by them in Michigan or Wisconsin, though either could easily have owned such land. The Zell Lurie Institute at University of Michigan is a leading innovator in entrepreneurial education. Sam Zell bought the Chicago Tribune in 2007, and his wife recently gave $50 million to the University of Michigan to support the creative writing program.

Susan Sarandon, herself something of a left wing activist, plays Sharon Solarz, a housewife living in Vermont who is headed to New York to surrender to authorities when when she is arrested by the FBI. In jail, she makes a statement that she isn’t sorry, and that she’d do it all over again. This is essentially the statement made by Ayers in his 2001 memoir. Solarz says she came out of hiding out of concern for her children. This is essentially the sentiment voiced by Bernardine Dohrn as the reason she decided to resurface. The name “Sharon Solarz” may have some basis in history: Stephen Solarz was a U.S. Congressman from New York who opposed the Vietnam war. “Sharon” Naylor was one of the aliases used by Bernardine Dohrn while she was underground.

Shia LeBeouf plays Ben Shepard, an employment-endangered young reporter in Albany, NY, who evolves from uncaring young jerk to wiser and less judgmental adult because of his attraction to one of the characters. Jeff Jones, another one of the Weathermen, once worked as a reporter in Albany. Jones is married to Eleanor Raskin, another ex-Weatherman.

Mac McCloud, played by Sam Elliot, is shown monitoring his investments, sheltering Mimi Lurie in California, and running a pot-smuggling operation with her. He may represent Matthew Landy Steen, a California bank robber who later worked for a Wall Street firm, and provided logistical support, money and safe houses for Weathermen. “In 1976, Ayers, Dohrn… and Boudin were the subjects of Underground, a documentary directed by Emile de Antonio and filmed in a safe house somewhere in California.”

Two other characters (and several other lesser ones) may or may not represent real characters in the Weather story:
-Nick Nolte plays Donal Fitzgerald, a Milwaukee lumberyard owner who employs another old radical, and helps Nick/Jim in his search for Mimi. It may be that my hearing is poor, but Nolte’s speech seems a bit garbled and hard to understand.
-Stephen Root plays Billy Cusimano, an aging hippie radical who appeals to Nick to help Sharon; this helps Ben make the connection between Nick and Sharon, and the chase begins.

Where are they now?
Kathy Boudin is adjunct professor at Columbia University.
Chesa Boudin is an American lawyer, writer, and lecturer specializing in the U.S. criminal justice system and Latin American policy.
Susan Rosenberg’s 58 year sentence was commuted by President Bill Clinton in January 2001. She is communications director at American Jewish World Service.
Bill Ayres is a retired professor in the College of Education at the University of Illinois at Chicago; his brother John, also an expert in education, recently left a position with the Carnegie Foundation at Stanford to take a position at Tulane University.
Bernadine Dohrn is an Associate Professor of Law at Northwestern University School of Law
(Their older son, Zayd Osceola Ayers Dohrn, was named in honor of Zayd Shakur, the Black Panther killed in New Jersey during a shootout with police in 1973, and Osceola, the Seminole chief who sheltered runaway slaves. Their other son, Malik Cochise, takes his names from Malcolm X (El-Hajj Malik El-Shabazz) and the 19th-century Apache chief who fought settlers encroaching on his land.)

Dohrn, Ayers and their two sons

Cathlyn Pratt Wilkerson served only 11 months of her three year sentence. She became a mathematics teacher and has one daughter. She recently wrote a book, “Flying Close to the Sun: My Life and Times As a Weatherman.”

Jeff Jones has a media consulting firm in Albany NY

Eleanor Raskin is the wife of Jeff Jones, and is an administrative law judge at the New York State Public Service Commission.

Mark Rudd taught math at a junior college in New Mexico and is now retired and living in Albuquerque.

Matthew Landy Steen was sentenced to ten years on prison; after release he resumed community activism in Isla Vista, CA; Steen initiated a seminal low-income solar energy program in the County that was replicated by Community Action Programs throughout the State; for this he was elected vice-president of the Association of Southern California Energy Programs. He ran the homeless shelter in Santa Barbara; later appointed by Governor Brown as a founding member of State of California Residential Conservation Services Advisory Council. He later attended UC Berkeley. He suffered brain damage in 1992 from a severe beating at his home. It has been speculated that the culprits were ex-FBI agents at his Wall Street firm who learned of his Weatherman involvement. Currently involved with low-income housing, harm reduction and anti-poverty issues in San Francisco, California.

David Gilbert, father of Chesa Boudin, is serving a life sentence in Attica.

Soldier on, Boston.

Over the Line, Smokey! gives a shout out to Boston.

There are a few bad people, and there always have been, and always will be. Sometimes they can’t stand the sadness in their hearts and minds, and feel helpless; they strike out blindly at the world. These sad and angry people can take away some of our family, our happiness. We cannot completely put these people (and their monstrous acts) out of our minds. But try remember the overwhelming goodness, the thousands and thousands of great people who were there, those who care, and helped, and the millions here and around the world.

Carry on, Boston.

Roger Ebert, 1942-2013; greatness.

Siskel and Ebert

Over the Line, Smokey! notes with a tear the passing of film critic Roger Ebert, a nerd, and passionate practitioner of his craft.

From his review of The Big Lebowski:

Here, in a film set at the time of the Gulf War, are characters whose speech was shaped by earlier times: Vietnam (Walter), the flower power era (the Dude) and “Twilight Zone” (Donny). Their very notion of reality may be shaped by the limited ways they have to describe it. One of the pleasures of “Fargo” was the way the Coens listened carefully to how their characters spoke. Here, too, note that when the In & Out Burger shop is suggested for a rendezvous, the Dude supplies its address: That’s the sort of precise information he would possess.

Of course, Ebert, being from Chicago, perhaps didn’t realize that 1) the In & Out Burger was a chain, not a single shop, and 2) that there was no In & Out Burger at that address. But this is greatness.

Two thumbs up.

Does your child have anal oil leakage from that tuna salad sandwich? This is why we need a strong FDA, people.

Yes, Harvey, those are flies.

Over the Line, Smokey! has never had anal oil leakage but sympathizes with those whose drawers may have suffered such an insult.

A whopping 84% of ‘white tuna’ was actually escolar, the snake mackerel fish that causes oily anal leakage and was banned by the FDA until 1992. It is still banned in Japan, Italy, and requires warning labels regarding the leaky discharge in Canada, Sweden, and Denmark.

I hope our horrified readers will vote to support and strengthen the important government agencies that should be protecting us from these sorts of things, but of course these are the agencies that the richest of the rich are trying to eliminate. You know, Mitt Romney et al doesn’t eat white tuna from a can. Of course, he also doesn’t give an oil about our libraries, fire protection, post office, roads, mass transit, gun control and other things that the commoners use. Republicans want to weaken all government agencies so they can sell more stuff that ruins our underwear, without interference from the law, the truth, accurate labeling or common sense. Over the Line, Smokey! simply asks Americans to WAKE THE FUCK UP!